Sunny Sanskari ki Tulsi Kumari Review There are some films that remind you why cinema is magic. And then there are films like Sunny Sanskari ki Tulsi Kumari that remind you why patience is a virtue. A Start That Never Takes Off The movie opens with Varun Dhawan channelling his Main Tera Hero days. For a brief moment, you expect ...
Jolly LLB 3 Review The opening in a local Rajasthani court immediately sets the right tone — authentic, raw, and far from the glossy hero entries Bollywood often depends on. The monologue that follows is goosebump-inducing, a reminder that this franchise takes itself seriously as cinema. It’s not just about the lawyer in the spotlight; it’s about the system, the ...
Nishaanchi Review The film opens in Kanpur, and you can smell the authenticity. The gallis, the slang, the people — nothing feels plastic. From the first frame, you know it’s an Anurag Kashyap movie. The dialogues are sharp, pure Kanpuriya, and they hit differently when someone like Durgesh Kumar (the Panchayat actor, here as a bank guard) delivers them. Even ...
Mirai Review Mirai starts with the Kalinga Yudh sequence, and from the very first frame, the VFX leaves you stunned. The scale, the detail, and the intensity make it clear that this is not just a standard action scene. This is a sequence crafted with love and research. Prabhas’s narration in the opening adds gravitas, immediately grounding you in the ...
Ek Chatur Naar Review The quick take Ek Chatur Naar opens on a grounded, realistic note and introduces a heroine built on guile more than brawn. Yet for a good stretch, the film struggles to pin you to your seat. The interval lands sharply, the second half finally leans into the story’s possibilities, and the climax springs not one but two ...
Baaghi 4 Review Imagine walking into a big-ticket action film and being greeted by… tears. Fifteen minutes in, Ronny is still crying, and the movie is still building “sadness.” Except it’s not sadness, it’s boredom. The camera clings to Tiger Shroff’s face as if the director made a rule: no frame without Tiger. The emotion doesn’t land, the modulation isn’t ...
Inspector Zende Review Some movies catch you off guard. Inspector Zende does exactly that. It throws you into a crime thriller that feels straight out of the 90s and then pulls the rug by adding comedy that actually works. The mix is bold, fresh, and exactly what Hindi cinema has been missing for a while. Manoj Bajpayee Steals the Show ...
Param Sundari Review If apps could really predict soulmates, weddings would end up looking like OTP verifications. Param Sundari tries to stretch that very idea into a full-fledged rom-com. On paper, it sounds like the kind of quirky setup Bollywood could run with. But on screen, it plays out like a confused PowerPoint pitch — one that replaces charm with ...
Coolie Review The wait was long, but the payoff was worth every second. Coolie opens with the kind of Rajnikanth entry that makes the theater walls vibrate. It is not because of noise, but because of presence. That slow-burn build, the swagger, the realism, it’s an entry that doesn’t just arrive, it lands. And from that very moment, Anirudh’s background ...
War 2 Review YRF’s spy universe is supposed to keep expanding, but with War 2, it feels like they simply hit “copy-paste” on the first War script, shuffled a few things around, and hoped we wouldn’t notice. Unfortunately, we noticed. The film wants to be a slick action thriller. Instead, it’s like watching an overcaffeinated stunt reel that keeps forgetting ...
Son of Sardaar 2 Review When a film begins with a literal bang, you’d expect the momentum to carry through. Son of Sardaar 2, which opens with an unexpected news in Canada, tries to replicate the high-octane comedy-action flavor of its predecessor. However, despite a promising start and a few memorable moments, the film falters under the weight of clumsy ...
Dhadak 2 Review: A Promising Start That Trips Over Tropes Dhadak 2 opens with a murder—an intense, dark premise that hints at a layered narrative. But just as the tension begins to brew, the film makes a jarring transition into a playful ankh-micholi (hide-and-seek) sequence as Triptii Dimri and Siddhant Chaturvedi’s characters are introduced. This tonal whiplash sets the stage ...