Bollywood is the biggest film industry on the planet as far as the number of motion pictures created each year. Be that as it may, aside from every one of the hits, flops and the normal, there exists another brand of Indian film which is purposely kept out of our range. Basically, these are all the movies that enjoy solid (read strong) language, suggestive (read disgusting) scenes, sexual orientation taboos, Kashmir issues, religion and essentially films which are path comparatively radical.
Here’s a rundown of motion pictures which the Censor Board restricted, not that the watchers missed any of it!
Bandit Queen (1994)
This Bollywood movie was straight up ‘hostile’, ‘foul’, ‘indecent’ and nearly snickered at the realistic conservatism of the Indian censor board as the subject was such. In view of the life of Phoolan Devi, this Shekhar Kapur motion picture was restricted due its express sexual substance, bareness and injurious language, which the Censor Board wasn’t unable (clearly) digest.
Deepa Mehta’s work is perceived for its worldwide substance and meat. Among others, one such motion picture was ‘Fire’ which accumulated a great deal of basic approval worldwide however failed to collect the blessings of Hindu gatherings (like Shiv Sena) in India because of its subject, which showed the lesbian connection between two sisters-in-law in a Hindu family. The debate finished with the main performing artists, Shabana Azmi, and Nandita Das alongside their director, Deepa Mehta getting threats and Censor Board, at last, forbidding the motion picture from releasing in the nation.
Kama Sutra – A Tale Of Love (1996)
In a fairly misleading move, Kama Sutra – A Tale Of Love too confronted the fury of Censor Board which named it ‘express’, ‘exploitative’ and ‘shameless’ for the country. This Mira Nair motion picture, which delineated the lives of four sweethearts in the sixteenth century in India, was a hit with the movie pundits however a noteworthy failure with the Censor Board and at last got restricted. Well, this was something that we knew was coming.
Urf Professor (2000)
Another Bollywood film to get into the issue with the Censor Board was Pankaj Advani’s Urf Professor featuring Manoj Pahwa, Antara Mali, and Sharman Joshi. This one follows the voyage of the hero after a contract killer’s vehicle and a triumphant lottery ticket disappears and the confusion that pursues. Be that as it may, what angered the Censor Board were the ‘indecent scenes’ and ‘striking language’ utilized in this dark parody, which at last prompted a prohibition on the motion picture.
The Pink Mirror (2003)
While experimental films turned into the standard, sexual orientation issues was as yet an unstable theme that was to be investigated. The Pink Mirror by Sridhar Rangayan is one such film which conveyed the idea of trans-sexuality to the front line. The story managed the journey of two transsexuals and a gay adolescent to tempt a straight man. No prizes for speculating that the Censor board got affronted by the ‘obscenity’ in the motion picture and prohibited it even after the film collected rave ratings at various film festivals around the globe.
Paanch, an Anurag Kashyap motion picture, confronted a great deal of warmth from the Censor Board. Said to be founded on the Joshi-Abhyankar sequential killings in 1997, the film was a spine-chiller with high octane brutality, uncouth language, and medication misuse. No big surprise, the Censor Board chose to boycott the film and individuals anticipating the arrival of the motion picture needed to manage with the pilfered rendition of the film.
Black Friday (2004)
Taken from the renowned book Black Friday – The True Story of the Bombay Bomb Blasts by S Hussain Zaidi, Anurag Kashyap’s motion picture was viewed as too dim to even consider being discharged in India. The motion picture confronted a stay request from The Bombay High Court in light of the fact that the 1993 Bombay impacts case and remained slated-to-discharge until the preliminary got over.
Parzania cut open the injuries of Gujarat’s scarred past and got backfire and gratefulness in equivalent sums. The film depended on a heavenly plot which rotated around a kid called Azhar who disappears amid the Gujarat revolts in the year 2002. Despite the fact that the film won a National Award, its true to life greatness was not viewed as enough for ideological groups to give it a chance to screen in Gujarat, where it was wildly prohibited.
Sins is a sensual voyage of a Kerala cleric who falls for the charms of a lady and gets explicitly included with her. Loaded up with fixation, desire and his battles with the standards of the general public he lived in, Sins did not run down well with the Catholics. They thought the film anticipated Catholicism in an improper light. The Censor Board as well had issues with the naked scenes in the film and henceforth the motion picture did not see the light of the day.
Water is another Deepa Mehta motion picture which pursued a ton of contention as a result of its dull bits of knowledge on the life of the Indian widow. Set in a specific Ashram of Varanasi, the content of the film was composed by none other than Anurag Kashyap and took up questionable issues like shunning and misogyny which were strange to the Indian Censor Board in those days. No big surprise, the motion picture was generally assaulted by nonconformists and around 2000 aficionados even devastated the arrangements of the film.
Another film to manage the Gujarat riots, Firaaq was allegedly founded on obvious episodes which occurred in the uproar torn Gujarat. Nandita Das was broadly condemned for harming the opinions of Hindus and Muslims and eventually, the film got restricted. However, what came as a noteworthy accomplishment was the way that the film, at last, observed a discharge date and upon its discharge, gathered rave audits from faultfinders and gatherings of people alike.
On the off chance that you expected anything else from a motion picture named ‘Gandu’, you’d be baffled. The Bengali film was a rap melodic which made a ton of buzz for its oral sexual moments and bareness. Shot in white and dark configuration, the motion picture was restricted in light of the fact that it ‘challenged Indian sensibilities’.
Inshallah, Football (2010)
Inshallah, Football is a narrative about a Kashmiri kid who tries to travel abroad and turn into a well-known footballer sometime in the future. In any case, the kid is denied going outside the nation since his dad is accused of militancy. This film was expected to draw out the issues regular people face because of the rebellions and militancy in the Kashmir Valley, however, the intention was vanquished as it was denied the essential authentication on account of its delicate subject.
Somewhere, this decision was somehow correct – no offense to the makers, but considering the gravity of that valley, it might have got the situation out of control. This is a presumed or maybe one of the reasons as to why the board banned it. But then how could such a situation be presented in front of everyone. Therefore, the boards should have got it released with some changes. Such issues need to be presented!
NOTE – The author never intends to hurt anyone, ergo, don’t get offended.
Dazed in Doon (2010)
Doon School is a standout amongst the most exceptionally regarded schools of the nation. The Doon School had issues with the substance of Ratna Pathak Shah’s transitioning motion picture Dazed in Doon which portrayed the account of a kid who is learning at the renowned Doon School and the existence he leads there. The school did not think that its interesting without a doubt and trusted that it spoilt the name and legacy of the school and thus got the film slowed down.
The latest one to join this considerable rundown of restricted motion pictures in India, Unfreedom is an advanced spine chiller which discusses a lesbian romantic tale snared inside an Islamic fear-mongering related edge. Uniting two ‘taboos’ in one bundle, the Censor Board couldn’t process the nakedness and the lovemaking scenes between the two heroes. Reports additionally recommend that the motion picture was blamed for “touching off unnatural interests” and consequently was denied a discharge in India, aside from a couple of states.
Now don’t just stop here, go find out the ways on the internet on how can you watch them now.